How do montag and the others protect themselves

Consequently, his yearning for books causes him to rebel against the legislation of his society. This drastic change in Montag relates to the theme of Fahrenheit because everyone in their society is assimilated to a standard lifestyle. Although Montag is different from everyone else, it is important because no change can ever happen if everyone is the. Also is about a guy who goes against it the law and starts to read the books. Should Montag be punished or not?

People will have to read the books to find out. Anyway, nature plays an important role throughout Fahrenheit by symbolizing, affects the characters, and brings the characters together. In the book, firemen are manned with flamethrowers instead of fire extinguishers to burn books. People are brainwashed that books are dangerous and that they must be destroyed.

Several book burning incidents in his lifetime had influenced Bradbury to plot the story in this way. This clearly shows that book burning was at the forefront of his mind when he wrote his novel. Fahrenheit by Ray Bradbury is a challenging novel that will make you think, question, and agree with many choices made. Montag, the main character is a fireman married to Mildred. Montag works along with his partners and Captain, Beatty. Montag starts to dislike his job and begins reading lots of books.

He is overwhelmed and can 't understand what he is reading so he threatens Faber, an old wise man he had met, into helping him learn from what he is reading. Old books got burn and the state ruled people thoughts.

When the bombs obliterate the city, he suddenly remembers that he met Mildred in Chicago, suggesting that he has somehow managed to feel the connection that was missing when she was alive.

From the beginning of the novel he has been growing increasingly dissatisfied with a life based on empty pleasures and devoid of real connections to other people.

Montag looks back at the city and realizes that he gave it only ashes. Granger compares mankind to the phoenix, a mythological creature that is consumed by fire only to rise from its own ashes in a cycle that it repeats eternally.

Remembering the mistakes of the past is the task that Granger and his group have set for themselves. At the end of the novel, Granger remarks that they should build a mirror factory so mankind can look at itself.

They can also multiply and propagate images, as reading and memorizing books multiplies the identities and lives of Granger and the others. As they walk upriver to find survivors, Montag knows they will eventually talk, and he tries to remember passages from the Bible appropriate to the occasion.

Ace your assignments with our guide to Fahrenheit ! SparkTeach Teacher's Handbook. Why did the government ban books? You are commenting using your WordPress.

You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. Skip to content Posted on May 1, by Amber. Greek Mythology story about Iccoris who flew too close to the actual sun and burnt his wings and fell to his death. Beatty realizes what caused Montag to start thinking. What or who was it?

Clarisse was the one who started Montag thinking. By Mildred leaving in the scene, it showed that Montag had lost everything and no one had ever cared for him. What happens to the earpiece that allows Montag to hear Faber?

Beatty hits Montag in the head, causing the earpiece to fly out and land on the sidewalk. Montag torches the Captain with the fire gun. What happens to the Mechanical Hound? The Mechanical Hound charges Montage and just as it impacts, Montag fires the flame gun and destroys the Hound. What does Montag recover from his property? Montag recovers a few books beside his garden fence.

What does Montag realize about Beatty? Montag realizes that Beatty wanted to die. What does Montag learn while he is washing up in the bathroom of the gas station? Montag learns that war has been declared when he is washing up in the gas station bathroom. What does Montag do with the books he has rescued? He perceives his arrival and the preparations for the burning as a "carnival" being set up.

Later, after the destruction of his house and after the spectators disappear, Montag remarks that the incident was as if "the great tents of the circus had slumped into charcoal and rubble and the show was well over.

With Faber screaming in his ear to escape, Montag experiences a moment of doubt when Beatty reduces Montag's book knowledge to pretentiousness: "Why don't you belch Shakespeare at me, you fumbling snob? Go ahead now, you secondhand literateur, pull the trigger. The meaning of Montag's utterance is open to speculation. At first glance, this statement is about passion: If the firemen have to burn books, they should know the subjects of the books and what information they contain.

Or possibly, burning shouldn't be done simply as a mindless job that one does out of habit, but should be done out of political and ideological convictions. Given the context, however, Montag says his line with the implication that Beatty was wrong to encourage burning when he, Beatty, knew the value of books.

As he turns the flamethrower on Beatty, who collapses to the pavement like a "charred wax doll," you can note the superb poetic justice in this action. Beatty always preached to Montag that fire was the solution to everyone's problems "Don't face a problem, burn it," Beatty told him and Beatty, himself, is burned as a solution to Montag's problem. Note once again, that in describing Beatty's death, Bradbury uses the image of a wax doll.

The imagery of the wax doll is thus used in Fahrenheit to describe both Beatty and Millie. By using this comparison, Bradbury shows that Beatty and Millie do not appear to be living things; they fit the mold made by a dystopian society. As a result, Beatty is charred and destroyed by the fire that gave purpose and direction to his own life.

Although Montag, who is now a fugitive, feels justified in his actions, he curses himself for taking these violent actions to such an extreme. His discontent shows that he is not a vicious killer, but a man with a conscience. While Montag stumbles down the alley, a sudden and awesome recognition stops him cold in his tracks: "In the middle of the crying Montag knew it for the truth.

Beatty had wanted to die. He had just stood there, not really trying to save himself, just stood there, joking, needling, thought Montag, and the thought was enough to stifle his sobbing and let him pause for air.

Montag suddenly sees that, although he always assumed that all firemen were happy, he has no right to make this assumption any longer.

Although Beatty seemed the most severe critic of books, he, in fact, thought that outlawing individual thinking and putting a premium on conformity stifled a society. Beatty was a man who understood his own compromised morality and who privately admired the conviction of people like Montag. In a strange way, Beatty wanted to commit suicide but was evidently too cowardly to carry it out.

Bradbury illustrates the general unhappiness and despondency of certain members of society three times before Beatty's incident: Millie's near-suicide with the overdose of sleeping pills; the oblique reference to the fireman in Seattle, who "purposely set a Mechanical Hound to his own chemical complex and let it loose"; and the unidentified woman who chose immolation along with her books.

People in Montag's society are simply not happy. Their desire for death reflects a social malaise of meaningless and purposelessness. When war is finally declared, the hint of doom, which has been looming on the horizon during the entire novel, now reaches a climax. This new development serves as another parallel to the situation in which Montag finds himself.

Montag sees his former life fall apart as the city around him faces a battle in which it will also be destroyed. As Montag runs, his wounded leg feels like a "chunk of burnt pine log" that he is forced to carry "as a penance for some obscure sin. The penance Montag must pay is the result of all his years of destruction as a fireman.

Even though the pain in his leg is excruciating, he must overcome even more daunting obstacles before he achieves redemption. Unexpectedly, the seemingly simple task of crossing the boulevard proves to be his next obstacle.

The "beetles" travel at such high speeds that they are likened to bullets fired from invisible rifles. Bradbury enlists fire imagery to describe these beetles: Their headlights seem to burn Montag's cheeks, and as one of their lights bears down on him, it seems like "a torch hurtling upon him. After Montag and Faber make their plans for escape, the reader witnesses Faber's devotion to the plans that he and Montag have made. In choosing to flee to St.

Louis to find an old printer friend, Faber also places his life in jeopardy to ensure the immortality of books. Montag imagines his manhunt as a "game," then as a "circus" that "must go on," and finally as a "one-man carnival. When Montag escapes to the river, the imagery of water, a traditional symbol of regeneration and renewal and, for Carl Jung, transformation , coupled with Montag's dressing in Faber's clothes, suggests that Montag's tale of transformation is complete.

He has shed his past life and is now a new person with a new meaning in life. His time spent in the water, accompanied by the escape from the city, serves as an epiphany for Montag's spirit: "For the first time in a dozen years [that is, since he became a fireman] the stars were coming out above him, in great processions of wheeling fire.

He thinks about his dual roles as man and fireman. While floating in the river, Montag suddenly realizes the change that has taken place: "He felt as if he had left a stage behind him and many actors. He was moving from an unreality that was frightening into a reality that was unreal because it was new.

The stage imagery implies that Montag actually realized that he was merely acting for a long period of his life, and that he is now entering into an entirely new stage of life. Montag emerges from the river transformed. Now in the country, his first tangible sensation — "the dry smell of hay blowing from some distant field" — stirs strong melancholic emotions.

Though Montag may be a man who has trouble articulating his feelings, one learns that he is a man of deep emotions. The entire episode of him leaving the river and entering the countryside is evocative of a spiritual transformation. He has sad thoughts of Millie, who is somewhere back in the city, and has a sensuous fantasy of Clarisse; both of which are now associated with the city and a life that he no longer lives, to which he can never return.

Whereas the city was metaphorically associated with a stifling and oppressive technology, the countryside is a place of unbounded possibility, which at first terrifies Montag: "He was crushed by darkness and the look of the country and the million odors on a wind that iced the body.